The Journal of Pre-Raphaelite Studies
Volume 1 | May 1978 |
Contents
Art and Society in the Late Prose Narratives of William Morris |
Nancy Jane Tyson | 1 |
An American’s Visit to Burne-Jones | Mark Samuels-Lasner | 12 |
W.M. Rossetti and the Editing of Christina Rossetti’s Religious Poetry |
David Kent | 18 |
Pater, Morris, and “Aesthetic Poetry” | Earl F. Bargainnier | 27 |
A Pre-Raphaelite Dispute: “Rosabell,” “Jenny,” and Other Fallen Women |
James W. Christie | 40 |
Adam Cast Forth: The First Sentence of Doughtry’s Arabia Deserta |
Stephen E. Tabachnick | 49 |
Thomas Woolner, Pre-Raphaelite Prospector: A Record of His Early Phase |
John F. Cox | 64 |
The Muse and the Lexicon: A Note on Swinburne’s “Herse” | Stephen C. Dittman | 76 |
William Morris’s Sigurd the Volsung, and the Pre-Raphaelite Visual Aesthetic |
Stephen Sossaman | 81 |
Tennyson and Pre-Raphaelitism: Symbolism and Point of View in “Mariana” and “The Awakening Conscience” |
Michael C. Kotzin | 91 |
Lizzie (Poem) | Susan Solomont | 102 |
Memory and Character in William Morris’s “The Judgement of God” |
Ernest L. Fontana | 104 |
Note on Burne-Jones’ Copy of the Hypnerotomachia Poliphili |
Mark Samuels-Lasner | 110 |
The Rossetti’s at Texas | Lucien L. Agosta | 111 |
Lord Leighton by Leonee and Richard Ormond | Barbara Golffing | 113 |